The Bride Wore Black&Trouble-Free Russian Brides 24/7 Francois Truffaut’s “The Bride Wore Ebony” is supposed, he informs us, as homage to Alfred Hitchcock. As homage, it succeeds. As Hitchcock, it generally does not quite. Just what a relief. Truffaut is just a master in their own right. Their most useful films (“Jules and Jim,” “The 400 Blows”) have already been individual. Their weakest people, like “Fahrenheit 451,” failed because he attempted too consciously to get results within the idiom of Hollywood. In “The Bride Wore Ebony,” he achieves exactly exactly just what he had been targeting in “Fahrenheit”: a married relationship associated with French wave that is new Hollywood tradition. This new generation of French filmmakers has argued for the time that is long we Us americans have not honored our most readily useful directors. We applauded Cecil B. DeMille’s vulgarity and Stanley Kramer’s phony liberalism, but ignored the actual Hollywood masters of action and suspense: John Ford, Howard Hawks, Don Siegel, Hitchcock. When Jean-Luc Godard made “Breathless” (1960), he devoted their very first movie to Monogram photos, the Allied Artists subsidiary that specialized in B action films and Charlie Chan. Truffaut, very very very long an admirer of Hitchcock, has seen their movies repeatedly. 2 yrs ago, he persuaded Hitchcock to accept 50 hours of interviews. The end result ended up being Truffaut’s fascinating guide, “Hitchcock/Truffaut,” when the two directors discuss every solitary movie Hitchcock ever made. Now, with “The Bride Wore Ebony ,” Truffaut has finished their research. […]